Indeed, there are baristas serving coffee in bikinis. And no, drug cartels don’t have dealings with land agents like the character Tommy Norris played by Billy Bob Thornton.
Christian Wallace, a key figure behind the scenes, is well-informed about the real versus the imagined in the oil-rich Permian Basin of Texas. His 2019 podcast Boomtown caught the attention of Taylor Sheridan, leading to the creation of the Landman series on Paramount+.
With the inaugural season of Landman wrapping up on January 12, Wallace, who collaborates with Sheridan as a co-creator and writer, sheds light on the production of the series, which stars Jon Hamm and Ali Larter, and discusses his experiences with real-life landmen compared to the show’s daring Tommy.
Insights from Christian Wallace
DEADLINE: Could you describe your involvement in the series? Were you part of the writing team?
CHRISTIAN WALLACE: Absolutely. It was just Taylor and me in the writer’s room. We spent a couple of years discussing the plot and characters before drafting the scripts. Taylor had me create a spec script from our discussions, and afterward, he appointed me as a co-creator. While he wrote the episodes, I was present on set to assist with various aspects like rigging, costumes, or dialogue.
DEADLINE: As a podcaster who has explored the oil industry, how accurate is the show?
WALLACE: Much of it is spot-on, though we’ve condensed some elements for narrative clarity. Opinions on accuracy can vary, especially among industry veterans like my uncle, who might scrutinize every detail. However, the series generally gives a solid portrayal of life in the oil and gas sector.
DEADLINE: And the portrayal of cartels, is that a reflection of reality?
WALLACE: The cartel aspect wasn’t a focus in my podcast, but drug trafficking and equipment theft are real problems in that area. The depiction of a wild west scenario is quite accurate, though the specific interactions with the fictional M-Tex oil company are purely imaginative.
DEADLINE: The inclusion of the National Guard in the plot was dramatic. Is there any truth to that?
WALLACE: That’s a testament to Taylor’s flair for amplifying drama and tension. The National Guard scenario is all his invention.
DEADLINE: Could you point out any direct influences from your podcast on the series?
WALLACE: Several elements from the podcast are woven into the show. For instance, yes, there are indeed bikini-clad baristas in boomtowns, which we covered in an episode. Also, the serious issues like fatal accidents on the rigs are based on true stories, including a tragic incident involving my uncle.
DEADLINE: Have you met many landmen like Billy Bob’s character, Tommy?
WALLACE: I have, including one of my best friends. However, Tommy’s multifaceted role is far more thrilling than the typical landman’s duties, which mostly involve mundane tasks like lease checking and compliance.
DEADLINE: What about the show’s take on renewable energy?
WALLACE: We discussed renewables like solar and wind in the podcast. While Tommy’s character offers a critical view, it reflects a real sentiment found in discussions throughout West Texas.
DEADLINE: Lastly, the women in Tommy’s life, do they resemble real individuals from the region?
WALLACE: Absolutely, the show captures the vibrant and bold personalities typical of West Texas women. They add a necessary lightness to a show filled with intense and often grim themes.
DEADLINE: Has the show been educational for viewers about the oil industry?
WALLACE: Definitely. It’s sparked curiosity and encouraged viewers to delve deeper into an industry that impacts everyone, yet remains largely out of the public eye.
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Taylor Monroe takes readers behind the scenes of the entertainment industry, from Hollywood trends to rising stars. With a passion for storytelling, Taylor brings engaging and fresh perspectives.